THIS is what a trailer should be like. Editing, sound, epic. It's all there.
Monday, April 4, 2011
Here's the video in case you haven't seen it. Watch it first and then read on.
So I really liked the beginning of the video. I'm definitely feelin' the mysterious vibe okay, and she's like in a desert and picks ups some dust and a butterfly appears out of it and flies away. Then she's running across the desert with her friends, and also a pack of wolves, but she's all dressed to the nines and you're going "Oo pretty!" and then things start to get weird.
Well first Willow Smith starts to sing-talk in a Ke$ha voice, which is weird enough, but then her friends start pulling stuff out of the desert earth. And the video starts out with Willow appearing out of the dust, and then the butterfly, and heck, she pulls a guitar out too. But her friends are pulling out weird things. The whole video starts to take on this anti-nature theme that's not even cool. Like the guitar is cool, but her friends pull out parking meters. Parking meters. Seriously, I don't get how that's awesome. You start pulling stuff out of the ground, and you pull up the parking meters?
Then they pull out a sweet car, and you're like "Now that's more like it!" Nope. The next scene is her friends as child slaves pulling these heavy metal chains over their shoulders that are connected to...a...house. Okay, so the kids are now slaves pulling giant-ass skyscrapers out of the ground, probably blistering up their hands on those chains. Meanwhile, all of nature is being destroyed as they slave to pull up the chains of these buildings.
And then Willow Smith turns into some kind of nine-year-old dictator singing that she's going to take over the world and her friends/slaves are like pulling up more buildings behind her. Then they roll back the desert floor, and there's streets, and then they have a dance party in the streets of what's now a city 'cause the desert is gone, and Willow's like the cool friend obviously, and the music is kinda fading out and you think that's the end, but then Willow starts whispering to a toddler, who makes a butterfly out of dust and starts chasing it.
WHY IS THE BABY ALONE? And for that matter, why is Willow wandering around in the metropolis she's created? Either she's going to get mugged, or they're living in a deserted city, which is just super creepy. And wait, where is that toddler's mom? Why is the baby running around by itself? That child is totally unsupervised, which is just horrible parenting practices.
I wish this video made more sense, you guys, but I see no other option but to interpret this video as Willow Smith declaring herself a tyrannical empress and making her friends do backbreaking slave labor.
|"Uh, excuse me, where are you going?|
You are my slave and you haven't
finished mining rhinestones for
my fingernails yet."
Directed by Zach Snyder, the director-demigod of slow-mo action, and tons of CGI, Sucker Punch is an action movie with no heart. Remember 300? Yeah, that movie had heart. Like here's this army of scantily-clad men standing up for freedom and stuff by running around with swords cutting off extremities and watching the blood spurt. Ah, that's heart. This movie was supposed to be something similar. Scantily-clad barely-legal girls fight for their freedom by standing up to the Man. Literally, though, they're standing up to the men subjugating them. That's heart, right? Well it could be, but somehow it gets ruined.
Look, Zach Snyder's movies are all about the awesome special effects and the action and what's happening on the screen. I mean did you see 300? It's all blood and guts and abs and swords okay, the plot kind of gets lost in the mix and you don't really care about it by the end, you care about a single theme: freedom. But Sucker Punch kept trying to push its plot back into the picture and make it about this twisty Inception-dream story, and we all just wanted to see Emily Browning fight some dragons, okay.
And you know what? The plot looks awesome from the outside! This girl
Wow, sounds pretty amazing right? Yeah, well it would be except Emily Browning just really doesn't sell her role as Babydoll. At least a third of the movie is close-ups on her face, no joke, and she seems incapable of making any other face besides this
|"Being in an insane asylum makes me dress like a sailor and have perfect skin|
I guess? I'm not sure though because I'm just so sad"
I'm confused by Snyder making Sucker Punch a PG-13 film. It's an action movie in which scantily clad insane asylum inmates are forced to be hookers, and are beaten for insubordination, so they escape into their minds to fight...well, anyone who happens to be there. They slit throats, hack off limbs, shoot people in the face, and by the end of the film these hooker/inmates must have a kill count of like several hundred guys. If you want to kill that many people, and make a movie about hooker/inmate/killers, you're going to have to have an R. Otherwise you water everything down and it's booooring. How could I have been bored during a Zach Snyder movie?! I was just a teensy bit disappointed.
|"AAAAAAGH CANCEL CHRISTMAS!"|
|"OMG I'm half naked, I have a sword and pistols, and I'm|
STILL BORING. How is this possible, Zach Snyder?"
|This is why.|
|"Hey, I'm a totally unnecessary character, what's up?"|
Thank you for that lil' tidbit as we head out to battle to DIE. Couldn't you say something like "Give them nothing! But take from them everything!"
Look, I didn't want to have to say this, I really didn't. But I'm sensing a certain decline that starts with M. and ends with Night Shyamalan. And I really hope that's not what's happening, because I like Zach Snyder, I really do! I love his effects and his vision, and the themes, and the action, but something just isn't translating to the screen.
In conclusion. It's entertaining if you know what you're getting into and don't expect much but what looks like a Zach Snyder video game adaptation.